Kim Aamodt tells Beauford Delaney about a change of plans regarding a party. Typescript. Envelope attached.

Kim Aamodt wishes Beauford Delaney luck with all his future endeavors in Paris. Typescript.

Beppo Abdul-Wahab describes the art exhibits that he has seen in the past few months including an exhibition of Beauford Delaney's pastels. He comments on the great divide between public success and financial success with regards to his exhibition in particular. Handwritten. Envelope and newspaper clipping attached.

Beauford Delaney responds to Graham Ackroyd's request for photographs of Beauford Delaney's art for an article. Handwritten.

Graham Ackroyd asks Beauford Delaney to contact Paul Facchetti to have photographs of his paintings and catalogue of his show at Paul Facchetti's gallery sent to him so that he can write an article on him. Typescript/Handwritten. Envelope attached.

Graham Ackroyd tells Beauford Delaney that he has been in contact with Paul Facchetti regarding photographs of his work for an article that he is writing for The Painter and Sculptor. Graham Ackroyd tells Beauford Delaney of his transformation into a painter and the challenges of resolving visions into paint. Typescript. Envelope attached.

Graham Ackroyd asks Beauford Delaney about his personal history with painting and his influences as a painter. Typescript.

Graham Ackroyd tells Beauford Delaney about his time in Paris (1947-48) – where he met many American Artists and fell in love with painting. Typescript.

This is a fragment of a creative writing piece. Typescript.

George Agostin invites Beauford Delaney over to a private showing of George Agostin's recent paintings. Handwritten.

Lawrence Allen tells Beauford Delaney that he will be in Paris and would very much like to meet with him. Typescript.

Rebecca Anderson requesting Beauford Delaney to call Martha Jackson. Typescript.

Beauford Delaney expresses his longing to be with Walter Anderson and his family and to hear the warmth and charm of his piano playing. Handwritten.

Walter Anderson thanks Beauford Delaney for writing him while he was sick with Hepatitis. He describes his time in isolation and his new outlook on life. He also requests that Beauford Delaney quote a price on a painting of a woman sitting "out in all that wild weather and representing Rosa Parks" so that he could gift it to Coretta Scott King. Typescript. Envelope attached.

Walter Anderson describes his attempt to remain an optimist amidst all of the turmoil in the world. He also invites Beauford to come visit him and his family in Geneva. Typescript.

This is an Anderson holiday family update. On the back, Walter Anderson writes directly to Beauford Delaney describing family troubles, in which his children have gone back to living with their mother. Typescript/Handwritten.

Walter Anderson provides a family update, sent to 400 people. On the back, Walter Anderson writes to Beauford Delaney, apologizing for not being able to see him while in Paris, and invites him to come stay at his house in Geneva. Typescript/Handwritten. Envelope attached.

Depicts color image of a village in Yvoire, France. Walter Anderson thanks Beauford Delaney for starting work on his portrait and tells him that he would like to introduce him to his friends Freda and Irwin Abrams. Handwritten.

In this letter, Walter Anderson explains to Beauford Delaney why it has taken him so long to write to him, catching him up on personal and family matters. Walter Anderson also thanks Beauford Delaney for completing the painting of him and asks him to provide all of the information for shipping and cost. Handwritten.

Walter Anderson tells Beauford Delaney that his daughter, Sandra, and her new husband are honeymooning in Paris and would like to visit with him. Typescript.