Box 52
Container
Contains 14 Results:
Miscellaneous Fabric Samples, undated
File — Box: 52, Folder: 1
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1982 - 2002
The Two Gentlemen of Verona, Clarence Brown Theatre, 1982
File — Box: 52, Folder: 2
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1982
Sweeney Todd: the Demon Barber of Fleet Street, Bijou Theatre (UT production), 1983
File — Box: 52, Folder: 3
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1983
Let's Get a Divorce, Clarence Brown Theatre, 1984
File — Box: 52, Folder: 4
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1984
She Stoops to Conquer, Clarence Brown Theatre, 1985
File — Box: 52, Folder: 5
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1985
Into the Woods, Clarence Brown Theatre, 1991
File — Box: 52, Folder: 6
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1991
The Glass Menagerie, Madison Repertory Theatre, 2002
File — Box: 52, Folder: 7
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
2002
The Glass Menagerie, Madison Repertory Theatre, 2002
File — Box: 52, Folder: 8
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
2002
The Glass Menagerie, Madison Repertory Theatre, 2002
File — Box: 52, Folder: 9
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
2002
The Glass Menagerie, Madison Repertory Theatre, 2002
File — Box: 52, Folder: 10
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
2002
The Glass Menagerie, Madison Repertory Theatre, 2002
File — Box: 52, Folder: 11
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
2002
The Mousetrap, Pioneer Theatre Company, 2002
File — Box: 52, Folder: 12
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
2002
La Cenerentola, Skylight Opera Theatre, 1997
File — Box: 52, Folder: 13
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1997
Love's Labour's Lost, Three Rivers Shakespeare Festival, 1984
File — Box: 52, Folder: 14
Identifier: III
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1984