Box 56
Container
Contains 9 Results:
Twelfth Night (never realized), Utah Shakespearean Festival, 1991
File — Box: 56, Folder: 1
Identifier: IV
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1991
Twelfth Night (never realized), Utah Shakespearean Festival, 1991
File — Box: 56, Folder: 2
Identifier: IV
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1991
The Merry Wives of Windsor, Utah Shakespearean Festival, 1992
File — Box: 56, Folder: 3
Identifier: IV
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1992
The Merry Wives of Windsor, Utah Shakespearean Festival, 1992
File — Box: 56, Folder: 4
Identifier: IV
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1992
The Merry Wives of Windsor, Utah Shakespearean Festival, 1992
File — Box: 56, Folder: 5
Identifier: IV
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1992
The Merry Wives of Windsor, Utah Shakespearean Festival, 1992
File — Box: 56, Folder: 6
Identifier: IV
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1992
A Midsummer Night's Dream, Utah Shakespearean Festival, 1993
File — Box: 56, Folder: 7
Identifier: IV
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1993
The Mikado, Utah Shakespearean Festival, 1996
File — Box: 56, Folder: 8
Identifier: IV
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1996
The Mikado, Utah Shakespearean Festival, 1996
File — Box: 56, Folder: 9
Identifier: IV
Scope and Contents
From the Collection:
This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for Ut's Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include performance tickets, letters, printed emails, meeting notes, thank you notes, poster-sized...
Dates:
1996