Box 1
Contains 17 Results:
Personal Photographs, circa 1920s-1970 April
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Newspaper Clippings and Envelopes, 1922 December 17-1967 March 23, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Correspondence and Stationary, 1923 April 11-1925 March 21
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Circulars and Programs, 1923 June 21-22, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Opportunity Week at the Palace Theatre, 1923 July 25-September 15
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Theatre Reviews by Bonner, 1923 August 20-September 4, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Hotel Men's Improvement Club Papers, circa 1924-1925, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Frank Skinner's Simplified Method for Modern Arranging, 1928
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Music and Lyrics to We're Fighters of the USA
by Bonner, 1942
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Greeting Cards, 1960-1966, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Lyrics to Dear Little Girl
, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Music and Lyrics to Song Beginning Dear Ole' Play Mate
, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Early Drafts of Hot Razz from Hushpunckna, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Script for Hot Razz from Hushpuckna by Bonner, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Lyrics to She's Just a Seal Skin Brown
, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Lyrics to Since You Left Me (and Went Away)
, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.
Lyrics to Unidentified Song, undated
This collection houses correspondence, theater programs, circulars, scripts, musical compositions, reviews, minutes of club meetings, newspaper clippings, and personal photographs documenting the life and work of Malcolm McKay Bonner, an African-American man living in Memphis, Tennessee in the 1920s. Of particular interest are those materials showing Bonner's involvement with the Hotel Men's Improvement Club and with the artistic community in Memphis.