SCOUT

Abstract

The Ellis Mayes Theatre Collection contains memorabilia and personal effects of Ellis Mayes, an actor with Knoxville's Carousel Theatre for several decades. Included are photographs, playbills, scripts, and personal mementos belonging to Mayes. Materials date from the 1940s to the 1990s.

Abstract

This collection houses correspondence, clippings, programs, research notes, and other materials documenting the Carousel Theatre and the Hunter Hills Theatre between 1951 and 1986.

Abstract W. W. Baumann compiled this four page typed manuscript entitled Knoxville Theatres: Vaudeville and Celluloid, 1872-1981 on April 28, 1981. In it, he lists Knoxville's theaters, their addresses, possible names changes, number of seats available, and year closed. Also mentioned in this listing are other auditoriums and halls used for public entertainment (including facilities at the University of Tennessee) and which venues were open to African-American patrons...

Abstract

This collection houses correspondence, reviews, programs, photographs, scripts, and other materials documenting Malcolm Miller's work with the University of Tennessee's drama program, his involvement with such Knoxville theaters as the Bijou, the Lyric, and the Tennessee, and his column, Music and Drama, in the Knoxville Journal.

Abstract

This collection houses correspondence, class materials, manuscripts, newspaper clippings, and photographs documenting Paul L. Soper's career at Western State College and at the University of Tennessee.

Abstract

This collection includes two scrapbooks of brochures, newspaper articles, programs, and pictures of performers from various theatres in Knoxville, Tennessee as well as in St. Louis, Missouri and Chicago, Illinois dating between 1889 to 1909.

Abstract

Tad Mosel wrote this letter to Fred Fields from New York on February 24, 1961. In it, he says that he would be glad to have Fields produce All the Way Home at the Carousel Theatre at the end of April but does not know if the play will be available so soon.

Abstract This three act play, entitled The Yellow Jacket, was written by George C. Hazelton and James C. Benrimo and performed numerous times between 1916 and 1928. It tells the story of a rejected son regaining his rightful throne and was celebrated as a charming example of true Chinese theater. Charles D. Coburn both produced the play and starred as one of the main characters. A note on the first page of the first act indicates that this copy of the script refers to...