Abstract

This collection houses correspondence, clippings, programs, research notes, and other materials documenting the Carousel Theatre and the Hunter Hills Theatre between 1951 and 1986.

Abstract

This collection houses correspondence, reviews, programs, photographs, scripts, and other materials documenting Malcolm Miller's work with the University of Tennessee's drama program, his involvement with such Knoxville theaters as the Bijou, the Lyric, and the Tennessee, and his column, Music and Drama, in the Knoxville Journal.

Abstract

This collection houses correspondence, class materials, manuscripts, newspaper clippings, and photographs documenting Paul L. Soper's career at Western State College and at the University of Tennessee.

Abstract

Tad Mosel wrote this letter to Fred Fields from New York on February 24, 1961. In it, he says that he would be glad to have Fields produce All the Way Home at the Carousel Theatre at the end of April but does not know if the play will be available so soon.

Overview This collection comprises much of Bill Black’s career as a costume designer, from various theaters and productions across the USA, until his retirement from UTK professorship and design work for the Clarence Brown Theatre in 2020. Costume design sketches, fabric swatches, magazine clippings, correspondence, photographs, reviews, and playbills make up the bulk of the collection. Other items include costume designs for local Knoxville businesses, and a set of designs associated with several...